However, in this case, especially in room 237, the colours are very distinctive and stand out. Hearing about the hotel being built on a Native American burial ground may add the threat of retribution from beyond the grave, but Kubrick suggests this desecration is the original sin, like an evil embedded in the hotel’s foundation. ... View Entire Discussion (9 Comments) More posts from the movies community. He is in a world (a room) completely isolated from reality, so to speak. https://discussimdb.com/topic/10073/the-shining-ending-explained-spoilers As Danny rides his tricycle through the hotel, each room and corridor is startlingly different from the next, emphasizing the confusing scale of the Overlook and alluding to the Id’s “chaos.” Eventually, the hotel cannot help but lead Danny to the open door of Room 237. There is a sense of urgency in the shots that imply some sort of event for a resolution. As a result, we perceive the scene to be much more interactive than it really is. Today, The Shining occupies a legendary place in film history and is widely acknowledged as one of the greatest horror films of all time. Just before Wendy steps out of the bedroom armed with a baseball bat (leaving Danny possessed by the his imaginary friend, a personality whom Danny allows to come to the fore as a self-preservation measure), the locked door of the bedroom causes the bedroom to read as a kind of fortress, but a fortress whose walls are paper thin, and the forces of evil are literally slithering across its outer surface. Question: Listen carefully to the “sound” of the various rooms in the Overlook? By altering the depth of the scene with light, Kubrick presents the audience with scenes that are perhaps mere visions, like the one’s Danny sees. This technique of dual proportion actively involves the viewer, keeping them focused. The various color ways, repetition of elements and bipolar discourse of the corridors instill the viewer with a sense of fear and anxiety which is the occupational disfunction of the character Jack and the aim of Kubrick. Discuss with Friends. This scene appears to remove the focus from the environment and place it directly on the character. In terms of visualizing the spaces, while the framing of the scene maintains the same ratio and size, asymmetrical scenes in the film tended to generate the sense of a broader scope of the surroundings. During Shining Rock Classical Academy’s December meeting, board members decided to begin offering high school grades starting in August 2021. With Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers. It allows the scene to shift focus from said environment to the individual and subsequently changes the scale  of time from an epic (removed) angle to a personal aspect, which penetrates the emotional state of the individual. The colours in room 237 are ugly and a completely unattractive choice for a floor, let alone a hotel room. But the actual scariest part of The Shining might not be what you think. Interestingly enough, the only main character in the film not to be the subject of an extreme close–up, despite significant emotional trauma, is Wendy. This repetitive contrast creates an eye illusion that helps feed into this mysterious effect throughout the film. It is Jack’s last chance at a job to get his writing and teaching career back on track. Mentioned before was the seeming shrinking of the scope of view when the scene is symmetrical. This uncomfortable silence sets the mood for the following scenes as it creates a sense of unrest, and unnatural tension felt by both the audience and the characters involved. Question: The geometry of the carpets in the scenes feeds into the feeling of fear by altering the general feeling of the spaces. ... View Entire Discussion (9 Comments) More posts from the movies community. The questions are all graded individually so extra effort in preparing your answer is rewarded. "The Shining" Book Discussion and Orange Butter Loaf Cake Recipe. The band does exceptional role without playing anyone particular. Hand the abstracts out in class as a study guide, or use them as a "key" for a class discussion. Hood in Oregon, http://en.wikipedia.org/wiki/The_human_brain, http://www.visual-memory.co.uk/amk/doc/interview.ts.html, http://en.wikipedia.org/wiki/Franz_Kafka#Writing_style, http://en.wikipedia.org/wiki/Id,_ego,_and_super-ego. Seeing this, you feel that Jack's story is just one of many. (metal/knives/axe/pots, liquid/blood, carpet, wood, plaster, mirrors and any other materials that you feel are key to the development of the sensibility of the spaces as they support the plot. It is, in fact, the very reason the hotel is closed and required a caretaker over the winter season. the rotting women, the elevator of blood, etc). Again, the insignificance of the child (and by extension, the audience) heightens the fear of the greater unknown powers at work in the hotel. The geometric maze created by doors inside the hotel is a bright reference to human mind, a reference to our human labyrinth, where doors are main entrances to subconscious. 5 Though irrelevant to topic at hand (corridors) and therefore not elaborated in this paper, Kubrick suggests this force could also be Native American spirits: the hotel manager mentions that the hotel was built on an Indian burial ground; the décor in main hall and the lounge feature Native American motifs;  and Jack makes a veiled reference to the “white man’s guilt” when he quotes Rudyard Kipling at the bar. This, the second aim for symmetrical shots, builds on the duality of the characters. The use of high pitched, wailing sounds creates an uneasy atmosphere from the opening credits, where sublime mountain ranges and verdant forests are imbued with an ominous life when paired with a sparse, plodding score. Such conditions strengthen the puzzle of not knowing what is happening and anything might come out of everywhere that is not clearly presented. These effects are achieved through dynamic intensity and the tone or emotive quality of the sounds. This is a particularly intriguing juxtaposition: being able to see what the person on the screen is unable to see, while character can see what the viewer cannot. As a result, the effect exaggerates the emotions created by Danny’s ghostly premonitions. “All the best people” stayed at The Overlook, Jack is told, and where have you heard that phrase before? The strikingly original-sounding band confirms Lisbon Story’s desire to be free of the traditional dramatic story constraints. One of the most terrifying things about The Shining is the Outlook Hotel as the setting of the film. Explain. The anticipation is heightened while the audience is left in fear for what might lie ahead. This can serve as a reminder of how long the viewer has not seen what lies ahead of the character and that in these confined spaces an end to the procession could occur at any moment. This immediately infers that the hotel is something more than just a normal building and this works to personify the Overlook making it another character in the film. Kubrick masterfully exploits our natural anxieties about isolation and desolation to create a genuinely horrifying experience. The hostility has faded as the film has gotten more widely recognized as a horror staple; the author Stephen King still famously dislikes what Kubrick did with his book, but the recent adaptation of King’s sequel, Doctor Sleep, leans heavily into the film’s iconography. Whether the scene is calm or highly tense, this is the shot that is used in dialogue. Indeed, the door of the bathroom is the only life line from the amok father who is knocking down the bedroom's door with his axe. Kubrick’s treatment of Duvall, for example, has gotten renewed scrutiny in light of abuses against women in the film industry, and so witnessing her raw vulnerability as Wendy, the one non-possessed member of the Torrance family, feels like a grim twist on Method performance. Posted by 3 years ago. Question: Referring to the above question (25), comment on the changes that might be necessary if this film were to be shot in black and white in order to achieve a similar feeling. Will it stand the test of time? It is like a fourth person in the hotel. The characters are portrayed with a relative weakness in this environment, making them more vulnerable towards the unexpected. Does it have moments of comic relief? The carpet seems to encompass the entire floor, even wrapping around the steps creating this continuous flow, which makes it seem like it could creep up the wall as well and contain the entire room. However, weather cannot be portrayed the same way in live theatre as it is in the film. Kubrick shows us two kinds of space at the Overlook Hotel. Thinking about Dirty Dancing or that type of film where the architecture supports a more traditional “use” of the building. Question: Kubrick shoots many scenes through open or slightly open doors. 5 ‘Knives Out’ Exposes the Veiled Prejudice of Seemingly Nice People. Directed by Stanley Kubrick. Swords or other weapons on display as decoration in the hotel, large cleavers hanging in the kitchen, and perhaps dead animal corpses being hung instead of stacked on shelves in the storage fridge to elaborate on the form of the dead bodies. Often times throughout the movie this shot results in a lengthened perspective like that gained by walking through the long pathway of the maze or down a single corridor of the hotel. to deliver your answer in class -- but paraphrase, do not read it. Others are mostly cockamamie, like the theory that Kubrick had made the film as an apologia for his role in faking the moon landing. The Shining (Paperback) by. will be posting these each week after the class. These uneasy tones of the every day banality again instills a realism between where the threshold of manic and the sane lie. Feel free to include internet reference links in your answers. Posted by 2 days ago. Danny’s first big-wheel ride around the hotel uses modulations in sound to give presence to the changing floor coverings that he encounters, not simply to indicate what is carpet and what is not, but rather to reinforce the vastness of Danny’s new home, and how alone he is in it – it is a place of wonder and also of danger. This comes from the emphasis of one subject in the particular shot. This tension is amplified in a later scene with the repetitive thud of a tennis ball being thrown against a wall by Jack in the Colorado lounge. In the scenes of The Shining that took place outside, snow and fog were used to obscure the view. The Shining is a movie shot both inside the Overlook Hotel and outside. What is the lasting power of Stanley Kubrick’s terrifying film? The Shining, by Stephen King, the undisputed master of the modern horror story. An online discussion forum has been set up for participants of this course. Hood in Oregon. I could image posters or newspaper articles which appear in the background of the action in the film, which are not referred to directly by the characters but infer the warning of danger to come. In order to fulfill this desire, he accepts a job as a caretaker for the Overlook Hotel (Godfrey, 2015). It seems a paradox because the hotel should be a safe place and the Labyrinth just a place where loosing the way. From Wikipedia, Minotaur. Also, the moods created by the filming techniques described earlier would need to be echoed in stage design counterparts that achieve the same tone. The Shining is a horror cinema masterpiece, and figuring out its haunting and iconic ending was no easy task for Stanley Kubrick. With Steadicam mounts finally available to combine movement with stability, Kubrick experiments as much as any film since in what a constantly roving camera could do to unmoor an audience. eNotes critical analyses help you gain a deeper understanding of The Shining so you can excel on your essay or test. Each space is accompanied by its unique tone or melody that evolves with the change in plot. Question: Comment on the use of backlighting (silhouette) in many shots throughout the film. Please only send to my sympatico address as I use this for the film course so that I run less of a risk of misplacing your answers. The Shining (The Shining #1), Stephen King The Shining is a horror novel by American author Stephen King. For one, the repetitive nature creates a mesmerizing floor where your eyes can get absorbed. In the former, there seems to be a greater lack of control with the expected danger approaching with a deliberate swiftness – whether this danger is revealed or not, its presence can still be felt in the walls of the hotel, the intensity of the music. The colours in the images subconsciously affect the emotions that are brought about within us. That being so, the use of asymmetry would not be as successful in creating as fearful an impression of the spaces in the hotel as would the use of symmetry. Some of the ideas are legitimately compelling, like one that posits the film as an excoriation of American imperialism, jumping off from the fact that its haunted hotel, The Overlook, was built on a Native American burial ground, and continuing with other references and bric-a-brac to back it up (Can those cans of Calumet Baking Powder be a coincidence?!). The composition of sequential colours puts the viewer in a scitsofrenic position, where they can never really be comfortable. Also, certain spaces could be presented as being quite small or claustrophobic, so that the characters in the film feel as though there are no means for escape from a dangerous situation. The hotel has a presence – a shining – that’s frightening to those who are sensitive to it, like the chef and Danny, but it’s scariest of all for being both irredeemable and indestructible. When the scene shifts to a symmetrical viewpoint, the whole scene seems to shrink and starts to focus on a single reference point in the view. Their expressions are now on display and the scene increases its pace, limiting visual access to the perceptible environment. 443/646: Architecture and Film Question: How do the sound effects feed into the manipulation of the depiction of the spaces in the film? The unsettling music also gives the audiences the feeling that there are “traces” everywhere in the hotel of previous lives. If these sequences of action were shot in a less directed/confined space they would lack this third dimension that conveys the grandness of the Overlook Hotel. While the first, creating a complete emotion of lonelyness and a claustrofobic feeling, drives people crazy, and leads to death, the second is the only escape hatch. Shining is a Sarkaz medic, a former member of the Sarkaz medic group "Confessor" and current member of the infected assistance group, "Followers". And everything is so clear inside. The Shining is a gothic horror novel by Stephen King, first published in 1977. Winter just wanders into a rehearsal and is instantly attracted by the leading singer. But there is a deleted scene from "The Shining" (1980) that casts Wendy's reliability in a curious light. They are relatively brief, but can serve to be an excellent refresher of The Shining for either a student or teacher. Your answer should Throughout the film, Danny seems mostly passive, due in part to his young age but also, perhaps, to his involuntary ability to "shine," which afflicts him with traumatic visions that he is unable to escape. In that the sound effects used in The Shining are remarkable at inspiring fear, perhaps best felt when Wendy discovers Jack’s ‘manuscript’ and his murderous intentions, they are singular, but they are not solely used for that purpose. A focus of the viewer’s attention on one point for an extended period of time builds up suspense (as opposed to allowing the viewer’s eye to wander around the shot). ‘Shining’, a telepathic communication that moves through mind to mind, through space, time and memories, builds a close relationship with the presence of television throughout the movie. excessively texture or angular, perhaps incorporating forced perspective) that, when lit a certain way, cast dark shadows. This exception works well because another dimension is added; the space beyond the threshold of the door. The next shot, of room 237 has a pattern with an implied direction, inviting you further into this room. Compare the choice of music in this film to the use of music in any of the other films we have viewed this term. Are Kubrick's close ups different from those of other directors (either that we have seen this term or other films that you might like to cite). This idea can apply to the scene where But the deep emerald helps create this sense of fear, as it is unnatural and dark. It gives a warning that Danny is going to see something scary and terrifying. Given that the purpose of the film is to show life in Berlin, time sequence between shots are less of importance. Here, as in a scene immediately following where Danny receives a premonition regarding the hotel, the effects are very high in the mix, in the latter scene they form the entire audio track, saturating our ears, as the elevators release a torrent of blood. The kitchen, the living quarters, the Gold Room, the upper floors where the previous caretaker axed his own family, the dreaded Room 237 — all distinct spaces, but there’s no guessing how they all connect. 5/25/2016 08:23:21 am. Would this be equally as effective if shot in a less directed/confined space? Even in the relatively benign early scenes of Jack heading to the interview or the whole Torrance clan, including his wife Wendy (Shelley Duvall) and son Danny (Danny Lloyd), getting a tour of the hotel, it feels like a game of chicken, as if the camera were zooming headlong into danger and we can’t be assured it will ever swerve away. The Shining's title refers to "shine," or psychic abilities. It was the twelfth feature film by Kubrick and was met with colossal critical success. icon-close This surreal effect is largely achieved through use of camera angles and careful contextual progression. What does "shining" mean to you? Discussion of themes and motifs in Stephen King's The Shining. There is no obvious indicator of time change. Discussion Why the Bear Man Scene in ‘The Shining’ is So Unnerving. However, both scenes still have an inherent quality in them that create a heighten sense of anxiety. He is somewhat famous for his use of this kind of shot, in his case nicknamed “the glare”, where he depicts a character in an emotional or psychological crisis. As the plot evolves and Jack becoming progressively insane, the television reminds the viewers of the datum, contrasting the increasing tension and frightening mood to the neutral outside world. When the camera is in an objective view behind the child, he blocks the audience’s view of his destination, thus increasing the feeling of unease of the unknown. It's on a door that Danny, during a trance moment writes the word REDRUM. When the camera flips around to show the two girls, we get the exact type of framing from the previous shot of Danny, thus, linking the two girls and Danny. By. Shine is the ability to read minds, communicate telepathically, or see past and future events. We can find an opposition between two different labyrinths, one inside and other outside. (referring specifically to ones where the cameraman is walking backward while the actor is coming towards). https://discussimdb.com/topic/10073/the-shining-ending-explained-spoilers This method, however, heavily relies on the dichotomy it creates when seen opposite to the steadi-cam shots used to build up tension and anticipation. However when the direction takes a drastic turn and adopts a hand-held camera (as is the case during the grand stair scene) the space seems to become more intimate as well as the events seem to become more immediate. It has been frequented with stories of hauntings and it is said that King came up with idea of The Shining after having been stayed there with his wife when it was almost empty and about to close for a long period of time. The carpets are definitely more vibrant than you would expect of a typical hotel. Refer both to the physical use of the object in the scenes as well as to the audio as it relates to the plot of the film. As the plot progresses, the soundtrack consistently leads the audience into states of suspense and expectation before various scenes of horror or surprise. It's interesting to highlight that, differently from the storeroom's door opened “by the Hotel”, this last door can be opened only by Jack's axe, now it's up to him to kill his family. It is curious that in the shot of Jack Torrance at his desk, the zooming of the single, centered subject from behind is somewhat relieved at the entrance of Wendy Torrance (right image). The opening credit sequence tells us this right at the start, as we see Jack’s car traveling higher and higher into the mountains, a tiny dot from the helicopter shot. Eclipsed perhaps only by its 1980 film adaptation, the novel is one of the most popular and enduring horror stories of all time. Please cease and desist from removing references to Dick Halloran's race to the plot summary to this article. Moreover, Winter plays a sound game with the kids as he demonstrates his “tools”. The viewer is seemingly forced to squeeze through the slightly open door only to be engulfed by a completely new environment which feels smaller and more complicated than the last. viewing scenes which are not at the usual eye level), thus creating disorientation and fear of the unknown. More often than not it is Wendy and Tommy whom the camera follows through these passages, and this gives us the sense of confinement and helplessness of their situation. The shots show what happens one right after another, or multiple plots happening simultaneously. The music is also very powerfully used in the film to change the mood. Fall 2009. The Shining, not an horror movie but a movie about horror. This immediately infers that the hotel is something more than just a normal building and this works to personify the Overlook making it another character in the film. The inauspicious influence of the id on the ego is clear in the hotel’s corridors. http://www.bbc.co.uk/blogs/markkermode This Halloween, The Shining is back in cinemas. This, paired with the slow camera zooms, slowly torments the viewer into focusing on one thing and wondering what will happen to the single subject. For instance, techniques that may be used to gradually elicit unease from the audience could include stage lighting that becomes progressively more dramatic as time passes, and set pieces built on jacks that tilt - creating angles that become more exaggerated each time they are brought onstage. The intensity of the bright source of light in the background, and the lack of light in the foreground play a major role in effecting the viewers’ perception, but also heighten the contrast between colour ranges in the image, giving importance to the colours in question. In The Shining this is established when the hotel chef is talking to Danny about “the shining” and he explains that he and his grandmother had the shining and so too does the hotel. They are intended to be an example or sample of something that is referred to in your question. Is everywhere effect conveys to the images are broken down into the front of audiences performed! 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